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Editing Update: 44 Pages

Note: This post is part of an on-going (and possibly never-ending…) series. To read the earlier installments, click on the following links: Part One, Part Two, Part Three, Part Four.

All right, so I feel like I should start off by explaining a little about my editing/revision “process” (yes, I felt the need to put that in quotation marks. Draw your own conclusions.). This is what comes after me finishing the first draft and sticking it in a drawer for at least three months. There are a couple of other steps which follow this list, but they’re way far away, so I’ll leave them out for now.

Step One: The Read-through. I print out a hard copy of the manuscript and read it, making many, many corrections and notes about problem areas with character, plot, and everything in between. Some of these notes even make sense. In theory.

Step Two: So It Begins. I sit down at the computer and start making changes to the manuscript, based on the issues found during the read-through. Step Two focuses on the easier fixes—typos and the like. Basically things which don’t require a ton of thought and/or effort to correct. Things that end up requiring more thought and/or effort are moved to a list of Things To Be Dealt With Later.

Step Three: It’s Later. There’s nowhere to hide. It’s time to start digging into and dealing with the list of Things To Be Dealt With Later. This list seems to get a new name for each book. Last book, it was called “Editing Shit Deemed To Difficult To Deal With The First Time Around”. This book, it’s called “Labor-Intensive Editing Shit List”. Because I’m clever like that. Also, because I enjoy profanity perhaps more than I should.

Step Four: Send It To The Betas. Worry and wait. Wait and worry. And hope like hell I sent them something actually worth reading. But remain convinced that I definitely did not.

Last week, I finished Step Two and moved on to Step Three and the Labor-Intensive Editing Shit List.

(For anyone keeping score at home, Step Two saw me delete an additional 10,000 words from this manuscript. The current word count going into Step Three is just over 225,000.)

The Labor-Intensive Editing Shit List, as you may have guessed from the title of this post, is 44 pages long. Which is a lot, but it’s not the longest editing list I’ve ever had (That was around 300 pages. True story.). Which, of course, makes me worried that I missed a lot of things. I’m sure I missed stuff—I always do—but what if I missed too many things? Or the most important things? Or even the really stupid obvious things I really should have caught a long, long time ago?

(Have I mentioned that anxiety is my co-pilot?)

But whatever. It’s a long list. The length of the list isn’t really the point of this post. Not that I’m sure what the point of this post really is. This post may not even really have a point at all. (Makes you want to keep reading, though, doesn’t it?)

A lot of the items on this list are issues with either weak or nonexistent transitions. When writing a first draft, I occasionally (fine, maybe often) use Dick-And-Jane type sentences to get me from one section to the next. They’re basic and terribly lazy writing, but they’re meant to be a placeholder so I can get the story itself down on paper. This is the editing round where I have to improve those transitions. Somehow.

I also seem to have a lot of notes about the need to inject description of various things as well as emotion and/or movement into particular scenes. There’s a little bit of fact-checking to be done that I was apparently feeling too lazy to do during Step Two. I’ll probably do those first during this round because, again, they shouldn’t be too difficult or time-consuming. (Keyword being ‘shouldn’t’, I suppose…)

I have one stupid, stubborn character who continues to be a pain in my ass. This is the same character, by the way, who was supposed to die in this book and then…didn’t (so, so happy!). But his motivations early on in the story are…uneven at best. A casualty of an evolving storyline. So I need to go back and iron some things out. Time-consuming, sure, but not impossible.

And then there are the two woefully underdeveloped storylines. These two fixes will be extremely difficult and time-consuming. Which means these two things will very likely be the very last things I tackle. One is the villain arc. Which is not surprising. I never get the villain arc right the first time around, and it usually isn’t finalized until some time after the beta reader round. (It just takes me a long time to work out all the details, I guess.)

The other storyline is a subplot that joined the first draft party pretty late and, as a result, is in desperate need of development because I’m pretty sure ninety percent of the notes I wrote during those scenes were some variation of “Yeah, but…why?” Sadly, deleting the subplot altogether is not an option. I considered it (Of course I did. Deleting the damn thing would have been waaaaaaaaay easier than figuring out how to make it work.) but for the moment, at least, it remains necessary.

My hope is that addressing (maybe even fixing? Dare to dream…) these two problematic plot lines (along with everything else, of course…) will help me get over those feelings of “Something’s wrong with this book, but I don’t know what” that have been plaguing me for a while now. And if not…well, we’ll cross that bridge when (if) we come to it.

So that’s what I’ll be working on for the foreseeable future. I have no idea how long Step Three will take. Way longer than I would like, that’s for sure, but beyond that…who knows.

Certainly not me.

25 Influential Books & The Authors Who Wrote Them, Part One

Today’s post was inspired by awesome author Chrys Fey’s post, which was inspired by a certain recent (recent-ish, at least? Dunno exactly. I started writing this post a while ago and only just recently finished it, so the inspiration behind the post is likely not recent at all anymore) post by the New York Times in which I’m pretty sure they just said, “Hey, how can we make the most people angry about books with the smallest amount of effort possible?”

This will be a very bad and possibly not completely accurate recap, but basically they decided to publish a list of the 25 best books of the past 125 years. Or maybe they just wanted to know what the best book of all-time was, but ended up sharing a list of the top 25? And they asked for reader nominations and then just pulled this list out of their ass or whatever that they then published on all the social media platform things. Controversy ensured because, well, because people were involved, and wherever people go, controversy follows.

Chrys then published a list of her personal top 25 reads of the past 125 years. Her list contained some of my favorite books, and quite a few titles that have been hanging out on my TBR list.

Anyway, all this made me wonder which books I would include on such a list. Then I immediately panicked because I have not read all the books in all the world, which is, obviously, a silly thing over which to worry because of course I haven’t, but anxiety is a bitch that doesn’t often give a shit about that kind of thing.

But I decided to try it anyway.

Here are the parameters/disclaimers/whatevers for my list:

—Inclusion on this list does not mean a particular book is particularly good or has some universal appeal that makes it the best book of all time. It just holds some deep(er) meaning to me.

—I may or may not disclose that meaning to you. Some things are private and will stay that way.

—This will not be the most diverse list of books to ever exist on the face of the earth. I fully admit I have not been the most diverse reader out there. I definitely could—and should—do better.

—Some of these listings include an entire series or two, which may seem like cheating, but I did it anyway. So there.

—This list will not be in any particular order.

—This list contains both fiction and non-fiction titles, but mostly fiction because, as I stated earlier, I have not been the most diverse reader ever.

—This list, as suggested by the title of this post, may, in fact, focus more on the authors themselves rather than individual books. It’s a mixture.

—This list is, and always will be, subject to change. In theory, I will keep reading new books, and some of those new books may warrant a spot on this list. I won’t know until I’ve read them.

Today’s post includes the first half of my list. In theory, I will eventually finish and publish the second half. In theory. I mean, I know how long it took me to write this post, so that second half may never see the light of day. But at any rate, the first half is here now for your reading (and judging) pleasure.

Are we ready?

The President’s Daughter series by Ellen Emerson White

This is certainly not the first time I’ve talked about this four-book series on this blog. These books were HUGELY influential to me. When I was in middle school, I was reading a lot of Sweet Valley High books, so many that both my mother and my teacher begged me to read something else. Anything else. I went to my school library to wander the stacks and I came across The President’s Daughter, a novel about a 16-year-old girl whose mother is elected president of the United States. I quickly fell in love and became totally obsessed with the main character—a love and obsession which continues on to this day. My sisters also love these books, which is, quite possibly, the only thing on earth on which we all agree.

From a writing standpoint, these books showed me how to write better. They really crystallized what a distinct character voice should sound like.

Plus, one time, I totally was privileged enough to have a multi-day conversation with the author herself about Buffy The Vampire Slayer and Battlestar Galactica, thereby fulfilling a life goal I didn’t realize I had until it happened.

It was awesome. She is awesome. And so is her writing.

The Secret of the Unicorn Queen series by Josepha Sherman, Gwen Hansen, Dory Perlman, and Suzanne Weyn

My mother found these MG fantasy novels for me at our local bookstore 100,000 years ago (I look really good for my age). They tell the story of a ordinary American teenage girl who accidentally ends up trapped in a parallel universe filled with unicorn-riding rebels battling an evil tyrant guy. For some reason, my mother thought I might like them.

She was right.

These books inspired me to write my own fantasy novels. Thanks, Mom!

The Tillerman books and the Kingdom novels by Cynthia Voigt

Yep. She gets two series. I just love how she crafts characters and settings and just all the things. The Tillerman books tell the story of four kids who are abandoned by their mother and their journey to find a new home and expands beyond the Tillerman children to tell some of the supporting characters’ tales. The Kingdom novels are fantasy and are all connected but each book focuses on a different character.

Philippa Gregory

Historical fiction. She can write some really lovely, poetic prose that just leaves me breathless. The Boleyn Inheritance is just gorgeous. Also, her novel Wideacre has an ending that has long struck me as a damn perfect ending for its story.

The Hate U Give by Angie Thomas

I wish everyone would read this book.

Maggie Stiefvater

Again, gorgeous poetic prose. I’m a fan of many of her books, but The Scorpio Races took my breath away.

Robert B. Parker

My sister and I started reading his Spenser series when I was in high school. Love the dialogue. Hate Susan Silverman. I have read his other series as well and most of his standalone titles, but Spenser was always the best, IMHO.

My favorite Spenser novels are probably Early Autumn and Small Vices.

Speak by Laurie Halse Anderson

She’s written a lot of wonderful novels, but Speak is the one which had the biggest impact on me.

March by John Lewis

A series of three graphic novels I would most definitely have in my classroom if I were still teaching. Another series I wish everyone would read.

The Queen’s Man series by Sharon Kay Penman

Prone to info dumps (Well, random person living in the Middle Ages and therefore already well aware of how the Middle Ages work, here’s how the Middle Ages work…), this series is definitely not the best written, but I made an instant connection with the main character that has me returning to these books time and time again. My mom’s also a big fan of these books and this author. We were devastated when it was announced that Penman had passed away in 2021.

As I Lay Dying by William Faulkner

A master class in how to write a story with multiple narrators and making their voices sound different. This book inspired one of my long-time unfinished WIPs that I still hope to finish one day.

E.E. Cummings

I love the way he manipulated language and used the page to create poems meant to be experienced and not just read. If that makes sense. He also wrote a autobiographical novel called The Enormous Room as well as four plays. In case you were interested and didn’t already know.

Troilus and Criseyde by Geoffrey Chaucer

So, when I was in college, I took a medieval lit class and we read a 15th-century poem called The Testament of Cresseid, which was a response to Troilus and Criseyde, which I hadn’t read. But the poem made me mad on Cresseid’s behalf and I wrote a paper about how unfairly she was being treated. My professor was all, “Hey, have you ever read Troilus and Criseyde?” And I was all, “No.” And he said, “Well, maybe you should read it.” And I said, “Fine. I will.” So, I did. And when I finished it, I was like, “Damn. That’s a good story.” Which was followed by, “Okay. Maybe I was wrong.”

For the first and only time in my life, of course.

All right, we’re going to stop here for today. Tune in next time (if there should be a next time…) when I unveil the rest of this list (if I should actually get around to making it).

What books/authors have had the greatest impact on you? Why?

Editing Update: Home From Camp

Note: this post is part of an on-going (and possibly never-ending…) series. To read the earlier installments, click on the following links: Part One, Part Two, Part Three.

If you are a regular reader of this blog, you may remember that last month, I participated in Camp NaNoWriMo and set myself a goal of editing 50,000 words. I had never set an editing goal before, so I wasn’t sure how it would all work out.

If you follow me on various forms of social media, you may have already seen this:

and this:

So, I mean, yes, there was some success to be had. However, I feel like the 70,030 words edited there looks and sounds waaaaaaaay more impressive than it actually is. Some of that feeling can probably be attributed to the fact that I am a gigantic hot mess—so much so that I’m pretty sure I can be seen from space. Like, there are astronauts at the ISS right now, looking down and going, “OMG! What the hell is that—Oh. It’s just MJ. Never mind.”—who would feel that way regardless of the actual results.

But here’s the thing…it doesn’t feel like I’m making much meaningful progress. I’m going through the pages, correcting errors, and culling dialogue (just…so much dialogue) and adjusting the narrative to tighten and strengthen it or whatever, but I think the book still has the same fundamental issues it had when I began.

I just have no idea what those issues are.

I cannot shake the feeling that I am writing (now editing) this book wrong. That I’m rearranging the deck chairs on the Titanic or something. And I can’t even explain it to anyone without saying something like, “I think there’s something wrong with this book, but I don’t know what, and I’m worried I’m not smart enough to fix it.”

Because how can I be smart enough to fix a problem I can’t even diagnose?

So, I’m starting off May not quite sure what to do or where to go from here. I’m trying not to force things, to give my brain the space it apparently needs to get its shit together or whatever, and to trust that I will eventually figure things out because even though I don’t remember it, I most likely felt the same damn way while editing the three books that came before this one.

But I’ve never done well with inactivity.

And…during my family and friends visits last month, I was reminded (more than once) that there are three people waiting to read this book, who have already been waiting years to read this book, and who will have to keep waiting probably more years to read the book because I am taking so damn long to finish it. Which makes me feel bad because I am extremely blessed to have any people interested in reading anything I write, and who continue to be interested in reading anything I write even though it takes me so damn long to actually write anything, and it sucks that I can’t do a better job for them.

Which adds to the pressure and compounds with the inactivity and my already terrible levels of anxiety or something science-y sounding, which all means that this gigantic hot mess is just getting bigger and messier.

Which is why, despite the fact that I left Camp with a winner’s badge (and a really cute mug. I ordered a mug that, if my significant other asks, I desperately needed…) and an impressive-looking word count, I’m not feeling particularly impressed.

But at least I have a mug.

Stay safe and well, all.

Editing Update: Army of the Undead

As the title would suggest, I am working on edits. This is an ongoing (possibly never-ending…) series, so if you missed them and are interested, check out the first two installments here and here.

So, I started writing The Coileáin Chronicles a long time ago. And because I am, at the very least, a semi-plotter, I had plans in place for certain characters. Meaning that, years ago (like, as in a lot of years. As in my 18-year-old niece hadn’t been born yet), back when I was still working on the first book, I had planned for a certain character’s death to occur in Book Three. It was going to be a beautiful death scene chock full of meaning and emotion and whatever else goes into a good death scene. Wailing and keening and all that good stuff. Whatever. The point is, it was going to be fantastic, and I couldn’t wait to write it.

But because I’m me and because I’m the slowest writer on the face of the earth, I didn’t get to write that scene until 2021. No matter, though, because here it was at last—my opportunity to write this scene, this scene I had waited decades to write, the beautiful, emotional, meaningful death scene for a character who had been a pain in my ass more often than not over the years. Oh, I was finally going to kill him (spoiler alert: it was a him) and be rid of him at last.

And then the scene didn’t work.

So I tried another way. And another. And another one after that. And none of them worked. At long last, my brain offered up this possibility: maybe this character wasn’t supposed to die after all.

Which, of course, made me super happy because I love it when stuff like that happens. I mean, sure, I spent all this time carefully working out the details of a multi-book series in an attempt to squeeze every available drop of storytelling juice out of the concept, just for the character in question to burn it all down to the ground like he’s the freaking disaster girl meme. He goes skipping off into the sunset while I’m standing there, looking at the ashy remains of my plans.

Who wouldn’t love that?

I mean, come on. All this character had to do was die. Just take a damn sword in the gut and die. Just fall down on the ground and die, but nooooooo. He couldn’t do that.

But again. Super happy. Just…so super damn happy.

So, I was all, “Fine. Go ahead and live, you jerk. But you had better come up with something for you to do now that you’re walking about all not dead, because I’ll be damned if I’m going to do it for you.”

Which was apparently a mistake.

Because it started an epidemic of characters declaring themselves free of my carefully created plans.

Which, again, just delighted me to no freaking end. Because when one is attempting to write a big battle scene in which a lot of characters are supposed to die, it’s always helpful when none of those characters die.

Just…so, so helpful.

Anyway, that was the first draft, and I eventually found my way to the end of that first draft, shoved the manuscript in the metaphorical drawer, and walked away. Three months later, I took it out, printed out a copy, and started reading.

Now, the biggest reason I do that—take at least three months in between drafts—is to give myself the freshest eyes possible when I start working on that second draft. If I just roll directly from one draft into the next, the things that need fixing the most run a big risk of not being found and not being fixed…which is, you know, kind of the point of creating that second draft. I have stopped seeing what’s actually on the page because my oh-so-helpful brain knows what’s supposed to be on the page and offers me a recap like, “Oh? This old scene? Nothing to see here but a bunch of sad and sarcastic characters being sad and sarcastic. Everything’s fine!” when everything is, in fact, not fine. The time away from the manuscript allows me to forget things—not everything, of course—but it makes a huge difference in me being able to spot those problem areas. After three months, they stick out like very sore thumbs.

But anyway, I started my read-through and started making my notes and went through what I’m certain is a very reasonable number of pens and highlighters (still time to enter my world-famous guessing game giveaway…) on my way to the aforementioned battle scene. Along the way, I was reminded of changes I had made to the original concept of the story. Some worked out well, some fell a little short, some really didn’t stick the landing, and some didn’t even get close to achieving that much.

Typical first draft fare, really. But needless to say, I was getting pretty damn curious to find out into which category the big battle scene would fall, especially with my army of the undead running around being all undead—which, again, was a development with which I was totally cool.

And given how cool I totally was with it, imagine my surprise when I read the scene (well, scenes, really) and I…didn’t hate it?

Which, of course, didn’t bother me in the least.

And that character I had waited years to kill, that character I had berated loudly completely supported when he decided to foment insurrection create his own adventure was, perhaps, the biggest surprise at all.

I read his scene (you know, the one in which he was supposed to die) and when I got to the end, I went, “Huh.”

Which is, in case you didn’t know, MJ Speak for, “I didn’t hate that.”

It’s not, by any means, a perfect scene. There are some issues that will require some finessing to really make it work. But the concept is…interesting? This character who’s been a chronic pain in my ass for years is suddenly…interesting?

He didn’t come up with a complete plan for what the hell he’s supposed to do now that he survived the battle, but he sure as hell planted some intriguing seeds that I now have to do…whatever the hell it is one does with seeds. Germinate them or whatever. (Note: I don’t garden.)

I had a similar reaction to a couple of the other characters who joined the army of the undead. I’m not sure what they’ll be doing in the next book, but I’m damn curious to find out.

Which just goes to show how it can pay to be flexible. Even hard-core plotters with their hard-core plans can (if they’re open to it…) end up somewhere unexpected…and in my experience, the story is better for it.

Even if, in the moment, it leaves me all

So, so happy.

That’s gonna do it for me today, folks. As always, thanks for stopping by. It’s always appreciated.

Stay safe and well, all.

Heading Upta Camp

April 1st is right around the corner, which means it’s about time for me to head upta camp (Name! That! Reference!)…

Camp NaNoWriMo, that is.

Camp NaNoWriMo, for anyone unfamiliar with this event, happens twice a year: April and July. It’s part of the NaNoWriMo organization but is different from its November counterpart in a few ways. Camp events offer participants more flexibility with their goals. You can set your word count goal to anything at all that you want. 50k, 10k, 100k. Whatever. You can also work on an already existing novel without labeling yourself a ‘rebel’. They even offer a couple of different tracks for people writing memoirs or people trying to finish those already existing projects. They even allow participants to set editing goals.

Which is what I’ll be working on next month.

I’ve participated in Camp NaNoWriMo many years, but this will be the first year where I have set an editing goal. I have no idea how it’s going to work, or even if it will work, or if it’s a remotely obtainable goal for me.

Also adding to the unknown this session is the fact that my significant other and I have some family and friends coming to visit in early April, so I won’t really be able to give Camp NaNoWriMo my full attention (or as close to my full attention as anything gets these days, anyway…) until about halfway through the month.

So I could be setting myself up to fail. I really don’t know. It’s an experiment, and it doesn’t really matter how it goes. Either way, I would be working on editing Full Circle, so I figured why the hell not give it a shot.

So, stayed tuned, I guess, for editing and Camp updates.

Provided I have some.

Hey—it could happen.

That’s going to do it for me today. Thanks for stopping by. It’s always appreciated.

Stay safe and well, all.