The following is that plan.
So, here’s the situation: I’m going to focus on Full Circle. My desire to finish that damn WIP has taken over just about everything in my life, so it’s once again getting the nod. It may be a terrible idea—it may be the most horrible idea anyone has ever had in the history of time (I’m pretty sure it’s not, but ¯\_(ツ)_/¯ ) and will only lead to me hiding under my desk, crying into a pint of…something before the end of the month—but I’m determined to do it anyway.
But there’s a twist.
And a long rambling tale that goes with it. (But of course there is. I am the one telling this story, after all…)
Right. Okay. Anyway, each installment in my fantasy series, The Coileáin Chronicles, is written in three parts. I don’t know why, really. It just kind of happened that way.
With Full Circle, I’ve been mostly happy (for now) with the first two parts. I know there are things that will need to be addressed and fixed and perhaps outright cut and/or changed, but it’s first draft done and has been for a while now.
The problem is Part Three. I’ve had a plan for the ending but haven’t had any luck with its execution. I think that may be because the original plan involves introducing too many new ideas/characters/whatever too late in the game. Meaning that Part Three has been reading more like the start of a new book, rather than the end of the current one.
As is the case in many things, accepting there is a problem is the first step in dealing with and maybe even solving said problem. So I set out to devise an alternate plan. If the ending was actually a beginning, where did Full Circle actually end?
After some time spent staring at my storyboard, I came up with a possibility. It involved redrawing the lines between the first two parts and the need to write a fourth book in the series, but it was a possibility.
It was also a possibility that survived almost twenty-four hours before I kicked it to the curb, but really, the fact that it made it that long was quite the achievement.
After which, I went back to the original plan. I was all determined to make it work. Because I liked the original plan (and I really didn’t want to write a fourth book…). Which was fine except for one small detail…
It doesn’t work.
But anyway, all of this leads up to the actual, current plan. (You were beginning to think I forgot about that, weren’t you?)
Let me introduce…FrankenWIP.
FrankenWIP is meant to be a (hopefully) successful and happy (well, ‘happy’ being a relative term. No characters will be happy because this is an M.J. Fifield story and she doesn’t do happy, but she herself will be happy if this damn WIP actually gets written) hybrid of the two rejected plans.
I think there are good elements to both of those plans that can be extracted and cut and pasted together into one functional plan. (Hence the name ‘FrankenWIP’ because I’m super clever like that.)
Here’s the process:
First step: Create a new version of the novel for experimentation’s sake. This way, if FrankenWIP is ultimately deemed a failure, nothing is permanently lost. If FrankenWIP is somehow a success, then the original draft will go live at the ‘outdated draft’ farm upstate with all the other outdated drafts.
Second step: Make a massive amount of notes (thirteen pages and counting…) on proposed changes to the plot and character arcs and the domino effect those changes will have on every damn thing in the book. Also note any scenes that can stay as is (I think there may be one so far) or need to be tweaked slightly to reflect the coming avalanche of changes, scenes that could possibly be merged into one new and improved scene, or scenes that need to be outright deleted because their storylines are now obsolete.
Third step: Make a list of all the scenes/dialogue exchanges I would reaaaallllllly like to repurpose for the new Part Three, if I can find a way to pull it off. There are a lot of darlings on the chopping block here. (If they have to go, they have to go, but I will be immensely sad about it.)
Fourth step: Build a new storyboard to reflect the FrankenWIP experiment while keeping the original storyboard intact for reference because I am a visual learner, dammit, and seeing the entire project laid out before me is an integral part of my process. Ignore the significant other when they ask, “How many damn Post-It notes does one person really need?” because the answer is ALL OF THEM.
Fifth step: Delete the now-obsolete scenes (and by ‘delete’, I mean ‘safely store in a separate file, in case this damn thing doesn’t work or I need to strip old scenes for parts to build new scenes’) and don’t freak out when the deleted word count crosses 35,000. Or, rather, don’t freak out too much. Remember that (in theory) those deleted scenes will be replaced with scenes that will lead to the end of this damn WIP. (And a fourth book, apparently, which I’m not psyched about, but that’s a problem for later. Much, much later.)
Sixth step: Start writing those new scenes, following the aforementioned pages upon pages of notes. Typing with my fingers crossed may present a challenge, but I’ll figure it out, I’m sure.
Seventh step: Celebrate when the first six steps lead to a completed novel, even if that celebration looks like me taking the world’s longest nap because holy hell, I’m tired.
So that’s the plan. I don’t know if it’ll work. I don’t know if it can work, but I am currently working my way through steps 1-5, so it’s at least giving off the impression of accomplishment, which is…not nothing?
Step six will begin tomorrow.
My goal was pretty arbitrarily set for 20,000 words in 31 days, which averages out to approximately 646 words per day.
I may write more. I may write less. I don’t know. The word goal itself doesn’t particularly matter. The real goal is to finish the WIP. Regardless of how many words that takes. (But I’m pretty sure it’ll be more than 20k. Because of course it will. I’m writing it, after all.)
I really hope this works.
Stay tuned to this channel for updates…
And, as always, thanks for stopping by. Be safe and well, all.
Are you participating in Camp NaNoWriMo this July? If you’re looking for buddies, you can find me under the very clever user name M.J. Fifield.
As you may have gleaned from the title of today’s post, I’m talking about goals.
First up is a recap of last month’s goals…
—Finish the first draft of Full Circle
HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA. Yeah. I totally did this. Except…no, I didn’t.
Because of course I didn’t.
I wrote some words, deleted a hell of a lot more, but ultimately added just over 2,000 words to the manuscript.
But it still isn’t done.
Because of course it isn’t.
—Figure out May’s marketing attempt and, you know, do it
If you stretch the definition of both ‘marketing’ and ‘attempt’, then I totally did this.
Otherwise…not so much.
—Walk at least three miles a day
This, I did. I logged a total of 111 miles in the month of May, for an average of 3.6 miles per day.
Now let’s talk about June’s goals.
—Finish the first draft of Full Circle
—Attempt to do some sort of marketing something
—Make a plan for July’s Camp NaNoWriMo session
—Walk at least three miles every day
What are your plans/goals for June?
About a year ago, I learned about two dogs in need of a home.
My significant other and I had been dog-free for a while and had intended to stay that way for a while more—mostly because of our 21-year-old cat, Low Fat Cat. She doesn’t get around as well as she used to, and we thought introducing new pets to the household might be too much stress for her.
But it turns out that I am a total sucker for cute animals in need of a home, so I talked to my significant other and we agreed to try. To see if Low Fat Cat could accept the presence of two dogs. On paper, it seemed like it would be fine. These two dogs were small and not puppies and had lived with cats in the past, so I thought if she could accept any dogs, it would probably be these two.
I was right. It took a couple of days days (Fine. It was four days.) before she would get near them, but now most of my evenings are spent like this:
So a year ago, we welcomed Scrappy Doo and Snoop Dogg to our home, and they have just been adorable little bundles of love and joy ever since.
We could not love these dogs more. (Seriously. You should hear my significant other baby talk the boys. It’s just so damn cute.)
Even when they’re doing things like scouring the backyard for rabbit poop to eat. Or on said search finding and eating half of a dead giant grasshopper’s body (the ass end, in case you were curious) only to later throw up partially digested bits of grasshopper ass on the carpet (under a chair, even, because in the middle of the tile floor in the kitchen wouldn’t have been any fun).
The neighbors are probably a little sick of hearing us exclaim, “Oh my God, you’re so cute!” over and over again, but they’re just going to have to adjust. Some things can’t be helped.
Because they’re just that cute.
But you don’t have to take my word for it. Here now, for your viewing pleasure, are a few of my favorite snapshots from our first year together.
Even though it’s only been a year, it feels like they have been a part of our family forever. I don’t know what the next year will bring, but I can’t wait to find out what adventures we’ll have.
Today, author Patricia Josephine is here to talk about the challenges of writing short fiction. It’s all part of the celebration for her latest release, a collection of—you’ve guessed it—short fiction.
The Challenge of Writing Short Fiction
You may think writing a 200-word story isn’t that challenging, but it couldn’t be farther from the truth. Some writers may actually say it’s harder than writing a full-length novel, and I know a few who don’t write shorter fiction because they can’t wrap their brains around it. Their muse only works in long form.
Writing short fiction is different from a novel. With novels, you have an unlimited number of words you can use to paint a picture for the reader. Short fiction you have restrictions on word count. You may only have 1000 words. You can even have as little as 50. When you have that limit, you are forced to choose more carefully. Your strokes have to be broader instead of going into minute details as you can with a novel.
The way I approach short fiction is similar to my novels. I just start writing. I figure out the story as I go and when I get to the end, I edit. I edit until the story is at the word limit I’ve imposed. That’s done by cutting descriptive words. The sentence doesn’t need the color of someone’s shirt for example. Thoughts the character has might get axed as well. If it doesn’t serve the basic story I want to tell, it can go.
Sometimes that doesn’t always work. Sometimes the story I’m trying to tell needs to be longer. When that happens, I stop worrying about word count and let it end as a novella or novel. I have a zombie apocalypse story I hope to release in the future that I initially intended to be 100 words. It ended at over 10,000!
Writing short fiction is a great exercise. It makes you think about word choices and their importance to the story. I encourage anyone who enjoys writing to give it a shot.
We are bewitched by what we can’t see.
Conjure delight with a fantastical collection of tales. Each story is told in exactly 200 words and designed to delight your imagination no matter how busy your day is.
Will you believe?
Patricia Josephine is a writer of Urban Fantasy and Sci-Fi Romance books. She actually never set out to become a writer, and in fact, she was more interested in art and band in high school and college. Her dreams were of becoming an artist like Picasso. On a whim, she wrote down a story bouncing in her head for fun. That was the start of her writing journey, and she hasn’t regretted a moment. When she’s not writing, she’s watching Doctor Who or reading about serial killers. She’s an avid knitter. One can never have too much yarn. She writes Young Adult Paranormal, Science Fiction, and Fantasy under the name Patricia Lynne.
Patricia lives with her husband in Michigan, hopes one day to have what will resemble a small petting zoo, and has a fondness for dying her hair the colors of the rainbow.